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writing

Living Abroad And Storytelling

Writing is the perfect excuse to travel. If you’re looking to write deeper stories, live abroad and if possible learn the language there. In doing that, you’ll strengthen your understanding of people and widen your worldview. Here are three ways that living abroad makes you a stronger story teller.

Why People Do What They Do

We really do view the world differently based on our culture. American tourists abroad will often get a lot of flack for exactly that reason. They’re considered individualistic and inconsiderate. And, comparatively, I can’t say that is entirely wrong. Compared to many other countries, American culture is defined by a strong sense of the individual and personal needs over the needs of others.

By living in another country, people undergo what many call “culture shock.” For me, this felt like a coming to terms with discomfort caused by unfamiliar cultural pressures.
This forced self-awareness gives the “why” to people’s actions. Suddenly, you have to rethink even basic things. “Why do I do this?” becomes a constant question. So, it was by living abroad that I have developed a deeper sense of self-awareness. And as I’ve become more self aware, my writing has improved.

Knowing why people act how they do, subverting that, and juxtaposing it makes character interactions compelling. So, if you’re struggling with dialogue, or character development in general, try a different scenery. You’ll be shocked by what you find.

World Building Inspiration

One of the complaints that agents give is that they’re tired of “euro-centric” narratives. So, knights and castles? It’s a bit overdone, you know. The market is looking for something fresh, something new. You’ll find things so different from what you’re familiar with, and that’s inspiring. Every culture needs basic things: food, water, shelter. And yet, people addressed those basic needs so differently around the world. Going abroad helps you step away from the familiar. You can combine the familiar with the new, or you can pull entirely from the new. It makes the worlds you build feel 1. more real and 2. more inclusive. Nothing’s worse than a white-wash novel full of people, places, and things that are all the same. The world is filled with unique things, so things in your book should be unique as well.

It could be a festival, an art form, a fighting style, really anything could capture your attention while travelling. While in South America I was often amazed at the graffiti around the cities. Literally. Anything. You’ll see how people and culture come together and shape each other, and you’ll better under stand how you can write a culture in the context of a book.

Despite the fact that I’ve mainly focused on fantasy ideas with this, it certainly wouldn’t hurt to travel even when writing a modern fiction because with that it’s all the more important to make sure you’re getting the facts from the source.

Stories Different From The Ones You Know

Stories change around the world, as does the manner of storytelling. Your writing will feel fresh if you implement some of the writing techniques from various countries or cultures. American story telling is… for lack of a better word, very linear. This happens because of this and that leads to that. But, this isn’t true of all narrative styles. Some are more meandering, you’ll get at the finish but it might not be a straight path. Others dance around the central topic without ever brushing it explicitly. The best way to familiarize yourself with different approaches to narratives is to read literature from other cultures. Which is, in my opinion, best done in that language if you can manage it.

I have some recommendations, but I’m biased so take it with a grain of salt. One of my favorite Spanish authors is Federico Garcia Lorca, for obvious reasons. You can purchase his bilingual collection of poems on Amazon. Also, his works Bodas de Sangre, Yerma, and La Casa de Bernarda Alba are all gems in their own right.

For something less European, you could certainly read the works of Machado de Assis. Although I recommend the original Portuguese, I know that many people reading this likely won’t speak Portuguese. As such, here’s a link for purchasing his book Posthumous Memoirs of Brás Cubas and, one of my all time favorites, Dom Casmurro. If you haven’t read them, they’re worth the read!

So, what do you think? In what ways has travelling helped you become a better writer? Comment below and don’t forget to follow the page for more updates.

Categories
writing

RPG Inspired Writing

With writing you sometimes feel like you have to do everything at once. However, if there’s anything that homebrew D&D taught me, it’s that build as you go is a perfectly valid way to write a campaign and, by extension, a book.

Have you played Dungeons and Dragons? Have you? Well, it’s amazing and I highly recommend it. If you haven’t played before, a good place to get started is by purchasing the Player’s Handbook. It’s a bit on the pricey side, but absolutely worth the investment as it delineates the basics a person needs to know about playing the marvelous game of Dungeons and Dragons.

Anyhow, I digress. So, in what ways can RPGs strengthen writing?

Only Provide Pertinent Details

Dungeons and Dragons is great because it teaches improvisation and build-as-you-go style world building. You only provide as much as you need to tell the story, not a bit more and not a bit less. There are hundreds and thousands of random character, name, and store generators that make up for the rest of what you don’t plan before session. Learning to deal with the unexpected actions your players take and cooperate with them on their adventure is optimal practice for book writing. After all, what characters cooperate with you while you write them?

Keep Moving

Also, it almost certainly breaks a writer of the need to endlessly mull over an element of their character’s backstory or an element of their world. You have to use it now! Too bad if it’s not perfect, you have to use it. No more time to think about the intricacies of what it means, go go go!

The players aren’t waiting for you if you’re a DM. They’re expecting you to know the game and the rules so that they can enjoy the story. The DM won’t wait for you if you’re a player. They need you to know at least your own character so they can build a world that will cater to that character’s development or downfall (depending on the type of campaign).

This encourages writers to pound out that first draft, no matter how messy. The more you practice it, the closer you’ll get to getting it right. Even if you aren’t a gardener, you’ll learn a lot by participating in RPG based character creation and world building.

Pitfalls

I won’t deny that it does have some pitfalls. Please… just don’t start your book in a bar, tavern, or with a group of guys that meet in the very RPG-typical way. It’s not good, 95% of the time. So, to sum up, not everything translates. Some things are better left to the RPG sphere. However, the benefits far outweigh the pitfalls.

What do you think? Do you agree that RPGs such as D&D can lead to stronger writing? Or am I wrong? Let me know your thoughts in the comments down below.

Categories
writing

A Bad Scene, Better Than None

Oh, you’re past the inciting incident and you haven’t reached the end just yet. You have a few thousand words to go through before you get there. And by a few I mean about 30,000? I’m low balling, by a lot. Anyhow, when you get to the flabby middle section of your book the most important thing is to keep moving.

writer's block

Fresh out of Ideas. What to Write?

Out of Ideas? 😦 What should you do if you’re in the middle and you find yourself out of ideas? This is where leading a meeting or running a RPG comes in handy because nothing says pull something out of the air right now like having a table full of expectant faces. Yikes. Literal nightmares. But, after a long while, after a very very long while, you get used to it. And you find that, yes, you can pull things out of the air. You’ve studied them so much that they spill out.

But wait, maybe you’re not to that point yet! So, what do you do? Well, I look up plot hook ideas because, surprise, the plot doesn’t happen at the beginning and the end of the story alone. A whole lot of it happens in the middle too. These guys can give your characters enough juicy action to keep kicking through the slump of your book.

So, here’s a pair of useful places to look:

  1. D&D Quest Ideas
  2. Subplot Ideas

I also recommend Save the Cat, Writes a Novel. It has some excellent plotting advice which should help you string your story quite nicely.

writer's block

Why a Bad Scene Is Better Than None

A bad scene can be rewritten. Half of the battle is getting through the middle of the book. If you can make it to the end you can re-hash, re-smash, and honestly re-write a lot of things. A bad scene is good because you know it’s bad. A bad scene can be tossed or re-written. So, write a scene you hate. Write a scene that sucks. If you write it, you’ll reach the end, and you’ll know how to change it when you go back.

In fact, Brandon Sanderson openly admitted in his lectures that he makes revision notes as he writes his first draft. This is perfect. If you really don’t like a scene, you can make a note about how you’ll do it better next time around. And thus, you’ll reach the end of your book.

writer's block

Keep Writing

Never give up. Even if you can’t make it this time, keep trying. Don’t give up and try to keep writing even through the terrible bits. You’ve got this. Feel free to comment below. Do you disagree?