While it’s true that clothing, facial features, and other physical qualities can help your character stand out from the crowd. Some of the most memorable characters stand out, not for their features, but for their quirky personalities. Obviously I’m not the quintessential writer, I’ve still got a long road ahead of me. However, as an avid reader, here are some things that novice writers do that kill their characters.
The Whole Face
The writer tells us everything. The hair, the eyes, the ears, oh don’t forget the earrings… it’s too much. In real life people don’t notice everything about a person’s face or figure. The average person will notice a couple to a handful of things. As such, if a writer wants their character to stand out, they’ve gotta stick to the most interesting stuff.
So, focus. What is most important or most unique about this character’s face? The scar on their chin? Their lack of eyebrows? Their earrings that drag their ears to their shoulders? The reader will not remember the character as well if they’re given everything all at once. Not only that, but the truly important details get lost in lengthy descriptions.
He’s five foot three, but she’s five foot two… they’re made for each other. Okay, unless it’s going to play a huge role in the plot. Please. Don’t. It’s awkward because most people don’t consider how tall a person is when they first meet them on the street. Well, if you’re a person like that, please comment below because this is a thought I’ve literally never had in my life. Generally when I look at people I think, very smol, small, about my height, tall, whoa tall. Never once have I been “huh, I bet that random guy is exactly six foot three” in my whole life.
Sure, saying they’re over seven foot or under three foot is fine. Why is this okay? Because at that point it’s a distinctive trait. If a person meets a fantasy creature that only comes up to their kneecaps, they’re going to notice that. But again, notice how I said “comes up to their kneecaps” because that is an adequate unit of measure in this scenario. Anyhow… just stop. We don’t need their exact height.
Descriptions Well Done
Obviously it’s not hard to find examples of well done descriptions. Here are some authors that I think do an excellent job of this.
Brandon Sanderson does an amazing job in Mistborn. The descriptions are gradual, as they become relevant, and remain enough to give us key features of the individuals. Also, some characters don’t get a description so much as a title that makes apparent their appearance. In the prologue, Lord Tresting isn’t described right away, but the title Lord already gives the reader some idea as to what he looks like. An image pops into their head. An image which is only clarified as it’s relevant to world building.
Another author who is sparse on upfront descriptions is Patrick Ness (at least in the book A Monster Calls). At first we know very little about Conor except he’s thirteen just a few months ago. This calls forth the image of a child. It isn’t until later on in the book that we get further descriptions.
If you can avoid clunky descriptions, that alone will do wonders for your writing. If you’ve read this far, don’t forget to follow the website for updates and until next time.
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